DAVID VS GOLIATH, 2025.

Mixed media on paper

In this universe suspended by invisible threads, where stars hang like broken promises, an ageless duel unfolds: David and Goliath, reborn as symbols beyond earthly logic.

The David in this tale is no warrior, but a naked acrobat—wild, luminous—riding a unicycle with impossible resolve. Her bow of new gold holds no stone, but a shadowed arrow, aimed not at an enemy, but at a fate dangling among paper stars.

Before her stands Goliath, towering and surreal—not armored, but dressed in striped pajamas, with a spiral hat and a single, all-seeing eye that watches everything and yet seems blind. A forgotten circus titan, a machine of watching, a tired god. His form looms not through power, but through absurd tenderness and grotesque melancholy.

And between them: the windmill.

Witness, guardian, tower, and stage.

An architecture of halted dreams.

Here, victory is not clear.

The struggle is not of strength, but of symbols.

And the battlefield is not the earth, but the subconscious.

“David vs Goliath” is not about defeating the giant, but daring to aim.

To ride the unicycle.

To draw the bow.

To see—even when the all-seeing eye stands in front of you.